St. Joseph's Episcopal Church where I played the usual 10.30 am service. As usual, the numbers are out of The Hymnal 1982.
Third Sunday After Epiphany: Holy Eucharist Rite II
Prelude: Praeludium in G Major (Op. 37, No. 2; F. Mendelssohn)
Pro: 408, Sing praise to God who reigns above (MIT FREUDEN ZART)
Gloria: S-278 (W. Mathias)
Psalm: Psalm 62 (Barrett)
Seq: 550, Jesus calls us; o'er the tumult (RESTORATION)
Off: 660, O Master, let me walk with thee (MARYTON)
Sanctus: S-128 (W. Mathias)
Lord's Prayer: chanted (S-119 in Hymnal 1982)
Agnus Dei: S-165 (W. Mathias)
Comm:
- Motet: Lord, for thy tender mercy's sake (R. Farrant)
- Hymn: Gather Comprehensive 696, Lord, when you came to the seashore (PESCADOR DE HOMBRES)
Postlude: Finale from Organ Sonata VI (Op. 65, No. 6; Mendelssohn)
Moving right along ... this next set, the music was nearly identical, with the exception of the Communion hymn.
The Episcopal Centre at Duke University.
Third Sunday After Epiphany: Holy Eucharist Rite II
Prelude: Improvisation on Georgetown
Pro: 408, Sing praise to God who reigns above (MIT FREUDEN ZART)
Gloria: S-280 (R. Powell)
Psalm: Psalm 62(recited)
Seq: 550, Jesus calls us; o'er the tumult (RESTORATION)
Off: 660, O Master, let me walk with thee (MARYTON)
Sanctus: S-125 (Community Mass; Proulx)
Comm: 661, They cast their nets in Galilee (GEORGETOWN)
Re: 537, Christ for the world we sing! (MOSCOW)
Postlude: Finale from Organ Sonata VI (Op. 65, No. 6; Mendelssohn)
Yes, I did *that* postlude. I just omitted the pedal part. It seemed a bit strange, but then again, who would know that something was missing?
Compline at the Chapel of the Cross. We've been using the Order for Compline, as set by David Hurd.
Here are our little additions:
O nata lux (Thomas Tallis)
Psalm 4 and 134 (chanted to Tone 8)
Hymn: O Christ, you are both light and day (CHRISTE, QUI LUX ES ET DIES, plainsong Mode 2)
Nunc Dimittis from Short Service (O. Gibbons)
Alma Redemptoris Mater (Marian antiphon right after the Dismissal)
Ave Maria (Robert Parsons)
Organ Voluntary by the abfab David Arcus.
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